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var str = 'المركزية الاجتماعية وصراع الذات تاء الخجل لفضيلة الفاروق أنموذجاً';
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Marriage, patriarchal, feminism, Simone De Beauvoir, the other.]]>
مجتمع]]>
أنثى]]>
رجل]]>
مركز]]>
هامش]]>
Community]]>
female]]>
man]]>
center]]>
fringe]]>
This paper aims to study the concept of marriage in the works of three authors, Charlotte Bronte, Chitra Banerjee Divakaruni, and Vikram Seth. The study focuses on the role of female characters towards and within marriage, and the influence of marriage on their lives. The attempt is to depict how women in different times and parts of the world confront inappropriate social conventions. In other words, some women in different parts of the world have no right to choose their partners in patriarchal societies. Jane Eyre is the protagonist of Bronte’s novel, Lata the protagonist of Vikram Seth’s novel, and the two protagonists in Divakaruni,s short stories; “The Bats” and “Clothes” are introduced. Marriage for the protagonists of these three literary works is like a one-way journey, a point with no return. It alters their lives and brings them either happiness or misery. Throughout the current paper, the different attitudes towards marriage will be viewed to show the positive and negative aspects of marriage. A feminist perspective will be employed in analyzing the three literary works. ]]>
تعد الرواية النسوية الجزائرية من أهم الأجناس الأدبية التي استطاعت مسايرة مختلف الأوضاع الاجتماعية والثقافية والسياسية، والتي مر بها المجتمع وخاصة في مرحلة التسعينيات –العشرية السوداء- فرغم صعوبة الظروف وحساسية المواقف، إلا أن الأديبة الجزائرية فضيلة الفاروق استطاعت في روايتها تاء الخجل تسليط الضوء على مجموعة من القضايا الحساسة التي كانت في وقت مضى تعد خطوطا حمراء لا يمكن تجاوزها والإفصاح عنها في المجتمع الجزائري منها مسالة الذكورة الأنوثة الهامش، المركزي، الأنا والأخر، حيث ساهمت هذه الثنائيات في طرح الكثير من الإشكاليات المتعلقة بعلاقة الأنا الأنثوية بالآخر المفرد (الرجل) أو الجماعة (المجتمع). لتبرز لنا في النهاية مدى انكسار تشظي الذات الأنثوية نتيجة توافق وتكامل منظومة من العلاقات الفردية والجماعية والتي دعمتها الخلقية الثقافية.]]>
The Algerian feminist novel is one of the most important literary races that has been able to keep pace with the various social, cultural and political conditions that society went through, especially in the 1990s- the black decade. Despite the difficult circumstances and sensitivity of the situations, Algerian writer Fadhila Al-Faruq was able in her novel T.J. Shyness to highlight a range of sensitive issues that were once considered red lines that could not be crossed and revealed in Algerian society, including the issue of masculinity, femininity, the margin, the ego and the other, as these dualities contributed to many problems related to the relationship of the female ego to the singular (man) or community (society). To finally show us the extent to which the fragmentation of the female self is broken as a result of the compatibility and integration of a system of individual and collective relationships supported by cultural morality]]>
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var str = 'Asmaa Mohanad Saad';
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var str = 'Muntaha Abdul Sahib';
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var str = 'بعيرة, عقيلة';
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Manar Elsharq Journal for Literature and Language Studies ; مجلد 1 عدد 3 (2023): Manar Elsharq Journal for Literature and Language Studies; 29-34]]>
Manar Elsharq Journal for Literature and Language Studies ; Vol. 1 No. 3 (2023): Manar Elsharq Journal for Literature and Language Studies; 29-34]]>
2959-037X]]>
10.56961/mejlls.v1i3]]>
مجلة الآداب والعلوم الإنسانية Review of Letters and Human Sciences; مجلد 14 عدد 2 (2021); 129-144]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No. 2 (2021); 129-144]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No 2 (2021); 129-144]]>
2588-218X]]>
2335-1667]]>
10.59791/rlhs.v14i2]]>
Manar Elsharq for Studies and Research]]>
University of Batna1]]>
2023-11-06]]>
2021-12-27]]>
الحقوق الفكرية (c) 2023 Mayada Rahim Eesa , Asmaa Mohanad Saad, Muntaha Abdul Sahib]]>
https://creativecommons.org/licenses/by/4.0]]>
http://meijournals.com/ara/index.php/mejlls/article/view/495/486]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1324/1088]]>
application/pdf]]>
eng]]>
ara]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
http://meijournals.com/ara/index.php/mejlls/article/view/495]]>
10.56961/mejlls.v1i3.495]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1324]]>
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var str = 'The Absurdity of Life in Arthur Miller's Death of A Salesman: A Psychological Perspective';
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var str = 'الموت حديث النهايات وإيقاع حياة مقاربة تأويلية لنص: " الموت" لياسين بوذراع نوري';
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Absurdity of life, social issue, psychological damage]]>
المجابهة التأملية]]>
إيقاع الأنسنة]]>
مرايا الذات]]>
البعد الدرامي]]>
الكائن المفهومي الإشكالي.]]>
contemplative confrontation]]>
the rhythm of humanism]]>
mirrors of the self]]>
the dramatic dimension]]>
the conceptual object]]>
The research paper deals with Arthur Asher Miller's treatment of a very significant social issue during and after one of the worst epochs in the America's history when lower class such as workers suffer a lot as they are neglected and no longer respected which leads to the absurdity of life for the individuals of this important and destitute slice of the U.S. community and almost culminates in dangerous psychological damages to them. In his play, entitled Death of a Salesman (1949), Miller presents the tragic character (Willy Loman) who exerts not only his strenuous efforts but also his entire life in boosting the company where he works but finally he has been frustrated as he has been tossed like a peel of a banana outside the company without even a pension due to his old age. In his masterpiece, Miller (1915-2005) relies heavily on the art of Expressionism when he exploits memories, dreams, flash-back as well as symbols and exaggeration to reveal the emotions, pains and discomfort not only of Willy but also of some of other characters.]]>
يشكل الشعر أحد الفنون التي استطاعت أن تنفذ إلى أعماق الوجود الإنساني لمقاربة حالات الروح والغيب، بما فيها عالم الموت، بما يمتلكه من مقدرة تخييلية على تجسيد المجرد والغيبي، وهي الطاقة التي تخرج به من عالم الغامض والمجهول، لتؤنسنه، وهذا ما يتمظهر بشكل واضح في نص " الموت" للشاعر ياسين بوذراع نوري ؛ الشاعر والفنان التشكيلي .تأتي هذه الدراسة كمقاربة تأويلية لنص "الموت "، عبر رصد العلاقة التي تجمع الموت بالفن كمدخل نظري للموضوع، يتتبع البعد الفلسفي الجمالي للموت عن طريق الفن، و تأتي دراسة دلائلية العنوان وتداعياتها على النص كعتبة الدخول إليه، ثم البحث في كتابة الموت وأنسنة المجرد، ثم تتبع بناء الدلالة وهندسة التشكيل الشعري في هذا النص، والتي تبدي الصور والمشاهد والاستعارات التي استطاعت بعمق وذكاء فني فلسفي جمالي أن تخرج الموت من عالم المجهول المرعب الغامض، إلى عالم الكائن المؤنس.]]>
Poetry is an art that has been able to delve into the depths of human existence to approach both the states of the soul and the unseen, including the world of death. The latter has an imaginative ability to embody the abstract and the unseen. This ability is the energy that takes it out of the world of the mysterious and the unknown, to be humanized. This is clearly evident in the text of “Death” by the poet Yacine Boudraa Nouri, the poet and figurative artist. The following study is an interpretive approach to the text "death", by observing the relationship between death and art as a theoretical introduction to the topic through tracing the aesthetic philosophical dimension of death through art. As an entry point, the semantics of the title and its implications for the text are studied, which is followed by an examination of the writings of death and the humanization of the abstract, and then with the study of semantics and the geometry of poetic formation in this text. This study shows the images, scenes and metaphors that managed with a profound artistic, philosophical and aesthetic intelligence to bring death out of the terrifying and mysterious unknown world, to the world of humanism.]]>
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var str = 'مسعودي, سليمة';
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Manar Elsharq Journal for Literature and Language Studies ; مجلد 1 عدد 3 (2023): Manar Elsharq Journal for Literature and Language Studies; 13-17]]>
Manar Elsharq Journal for Literature and Language Studies ; Vol. 1 No. 3 (2023): Manar Elsharq Journal for Literature and Language Studies; 13-17]]>
2959-037X]]>
10.56961/mejlls.v1i3]]>
مجلة الآداب والعلوم الإنسانية Review of Letters and Human Sciences; مجلد 14 عدد 2 (2021); 107-128]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No. 2 (2021); 107-128]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No 2 (2021); 107-128]]>
2588-218X]]>
2335-1667]]>
10.59791/rlhs.v14i2]]>
Manar Elsharq for Studies and Research]]>
University of Batna1]]>
2023-10-31]]>
2021-12-27]]>
الحقوق الفكرية (c) 2023 Ghassan Awad Ibrahim]]>
https://creativecommons.org/licenses/by/4.0]]>
http://meijournals.com/ara/index.php/mejlls/article/view/491/484]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1284/1054]]>
application/pdf]]>
eng]]>
ara]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
http://meijournals.com/ara/index.php/mejlls/article/view/491]]>
10.56961/mejlls.v1i3.491]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1284]]>
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var str = 'A Pragmatic Study of Diminutives in Ahmad Shawqi’s Plays';
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var str = 'توظيف تقنية المزدوج في الرواية النسوية الجزائرية المعاصرة وفق منظور ميخائيل باختين -رواية (لعاب المحبرة) لسارة حيدر نموذجا';
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var str = 'Employing the dual technique in the contemporary Algerian feminist novel according to Mikhail Bakhtin’s perspective-The novel (The saliva of the inkwell) by Sarah Haidar as a model';
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Diminutive, communicative functions]]>
مزدوج]]>
تعددية لغوية]]>
حوارية]]>
سارة حيدر]]>
تفكك وعي]]>
Dual]]>
multilingualism]]>
dialogue]]>
Sarah Haidar]]>
deconstruction of consciousness]]>
The present research delves into a pragmatic analysis of diminutives within Shawqi’s plays, aiming to explore the multifaceted linguistic and cultural dimensions they bring to his dramatic discourse. Diminutives, linguistic constructions that denote smallness, affection, or endearment, have long been a significant element in the Arabic language and culture, serving various communicative functions. This research aims at investigating how diminutives are strategically employed by Shawqi to convey different meanings, evoke emotional responses, and shape character interactions. The present research uses extracts taken from selected plays as data. These plays are Antra, Majnoon Layla, Qhambeez, Ameerat Al-Andalus, and Ali Bey Al-Kabir. Drawing upon the framework of pragmatics, this research analyzes diminutives in selected plays by Ahmad Shawqi. The analysis involves a qualitative approach where diminutives in Ahmad Shawqi's plays are identified through character speeches, marked on pages, documented, and categorized by the researcher using content analysis following a systematic data collection process. It examines their contextual usage, communicative effects, and cultural connotations. Through a comprehensive examination of diminutives, their forms, and their roles in dialogue, characterization, and plot development, this research seeks to derive patterns and themes that illuminate Shawqi’s unique stylistic choices and the socio-cultural factor in which his works were crafted. By approaching Ahmad Shawqi’s plays from a pragmatic perspective, this research contributes to a deeper understanding of the intricate interplay between language, culture, and dramatic artistry. The textual analysis reveals that Diminutives in Shawqi’s plays serve as strategic tools, especially in romantic situations, enhancing emotional expression and character connections. They can convey both positive and negative emotions. Diminutives enrich literary works, reflecting cultural context and societal norms. They depict social hierarchies and relationships, adding depth to character portrayals. In essence, diminutives in Shawqi’s plays are context-dependent, contributing to a deeper understanding of characters and emotions. Ultimately, this study enriches our appreciation of Shawqi’s enduring contributions to Arabic literature and his mastery of linguistic devices in shaping the theatrical experience.]]>
يأتي المقال للكشف عن العلاقة الحوارية للحديث الذاتي للشخصية في رواية (لعاب المحبرة) للكاتبة الجزائرية "سارة حيدر"، وتبيان كيف تجلى المونولوج كآلية حوارية، وهذا ما اصطلح عليه "ميخائيل باختين"(MIKHAIL BAKHTINE) بالمزدوج، وهو تقنية سردية تعبر عن الوجود الموضوعي للصوت الثاني داخل المنظور الشخصي في الرواية، ومن خلاله يتولد التفاعل اللفظي الذي يحدث في شكل تبادل بين التلفظات الحوارية بين الشخصية كصوت أول و ذاتها / المزدوج كصوت ثاني، وبهذه الطريقة تتخلق التعددية اللغوية في الرواية، وقد تم مناقشتها في الرواية المنتخبة من خلال تجاوزها للبناء التقليدي و أيضا من خلال تعدد الذوات و تفكك الوعي فيها.]]>
The article comes to reveal the conversational relationship of the character's self-talk in the novel (The Saliva of the Mahbara) by the Algerian writer "Sarah Haidar", and to show how the monologue appeared as a dialogue mechanism. The second voice is within the personal perspective in the novel, and through it the verbal interaction is generated that takes place in the form of an exchange between the dialogue pronunciations between the character as the first voice and the self / double as the second voice, and in this way multilingualism is created in the novel. Disintegration of consciousness in it.]]>
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var str = 'Kamal Hazim Hussien';
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var str = 'بوعبد الله, صونيا';
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Manar Elsharq Journal for Literature and Language Studies ; مجلد 1 عدد 3 (2023): Manar Elsharq Journal for Literature and Language Studies; 1-12]]>
Manar Elsharq Journal for Literature and Language Studies ; Vol. 1 No. 3 (2023): Manar Elsharq Journal for Literature and Language Studies; 1-12]]>
2959-037X]]>
10.56961/mejlls.v1i3]]>
مجلة الآداب والعلوم الإنسانية Review of Letters and Human Sciences; مجلد 14 عدد 2 (2021); 93-106]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No. 2 (2021); 93-106]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No 2 (2021); 93-106]]>
2588-218X]]>
2335-1667]]>
10.59791/rlhs.v14i2]]>
Manar Elsharq for Studies and Research]]>
University of Batna1]]>
2023-10-31]]>
2021-12-27]]>
الحقوق الفكرية (c) 2023 Noura Muhammad Saleem Saeed, Kamal Hazim Hussien]]>
https://creativecommons.org/licenses/by/4.0]]>
http://meijournals.com/ara/index.php/mejlls/article/view/490/483]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1283/1053]]>
application/pdf]]>
eng]]>
ara]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
http://meijournals.com/ara/index.php/mejlls/article/view/490]]>
10.56961/mejlls.v1i3.490]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1283]]>
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var str = 'The Role of Perseverance and Determination in Ernest Hemingway's The Old Man and the Sea';
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var str = 'حضور النكتة والاغنية الشعبية في مسرح ونوس';
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تراث]]>
شعبي]]>
نكتة]]>
أغنية]]>
شعبية]]>
heritage]]>
folk]]>
joke]]>
folk song]]>
Ernest Hemingway's novella, The Old Man and the Sea, has captivated readers for decades with its profound exploration of human resilience and the indomitable spirit of perseverance. This research paper examines the central themes of perseverance and determination in Hemingway's work and their significance in the protagonist's journey. The study employs a close reading approach, analyzing key passages and character interactions to unravel the multi-layered narrative of Santiago, an aging Cuban fisherman. Through his relentless pursuit of the marlin, a formidable opponent, the novella delves into themes of endurance, determination, and the human spirit's ability to overcome adversity. The paper investigates how Santiago's unwavering determination to capture the marlin serves as a metaphor for the human struggle against life's challenges. It explores the psychological and emotional dimensions of Santiago's character, highlighting his unwavering resolve and unyielding spirit in the face of physical exhaustion, isolation, and the relentless forces of nature. Additionally, this research paper examines the symbolism of the sea as a metaphor for life's unpredictable and unforgiving nature. It analyzes the character's interactions with the sea and the transformative effect it has on his mindset and perception of the world. The paper also explores the role of Santiago's relationship with the young boy, Manolin, as a source of emotional support and reinforcement of his determination. By examining the themes of perseverance and determination, this research paper sheds light on the broader existential questions raised by Hemingway's work. It explores the significance of individual willpower, the pursuit of personal goals, and the inherent struggle between man and nature. Through an in-depth analysis of The Old Man and the Sea, this paper contributes to a deeper understanding of the human condition and the timeless relevance of Hemingway's literary masterpiece.]]>
بدأ المسرح لمجموعة من العوامل السياسية والاجتماعية والاقتصادية ساعدت كلها على صناعة الوعي القومي لدى الكتاب فوجدوا في التراث خير معبر عما يختلج في صدورهم من مشاعر الألم والحزن لمصير الأمة العربية ، وأيقنوا أن توظيف التراث الشعبي عن طريق ما يشتمل عليه من معتقدات شّعبية وقصص وحكايات وأغان ونُكت تجري على ألسنة العامة ،يحقق لهم التواصل بين الماضي والحاضر كما أنه يقربهم من وجدان الجماهير لما يحمله هذا الأخير من مكانة في ذاكرة العربي تراثيا ولا يزال التراث سمته الأساسية لتأكيد طبيعته العربية ،ولذلك فقد حاول أغلب الكتاب المسرحيين العرب الاستفادة من الأشكال والظواهر التراثية الشعبية على صعيد الشكل والمضمون في سعيهم لتأصيل مسرح عربي .فكانت العودة إلى التراث الشعبي نتيجة الشعوب و وجدان الأمم. وعليه تأتي هذه الدراسة لتسلط الضوء على مدى حضور النكتة والأغنية الشعبية في مسرح ونوس.]]>
The Arabe theater began as a heritage, and the heritage is still its basic feature toconfirm its Arab nature. Therefore, most Arab playwrights tried to take advantageof the popular heritage forms and phenomena in terms of form and content in theirendeavor to establish Arab theater The return to the folklore was a result of a setof political, social and economic factors that all helped On creating nationalawareness among the writers, they found in the heritage the best expression of thefeelings of pain and sadness in their chests for the fate of the Arab nation, and theyrealized that employing the folklore through what it contained in popular beliefs,stories, stories, songs and jokes that were taking place on public tongues would bring them communication between the past. And the present also brings themcloser to the conscience of the masses because the latter holds a place in the memory of peoples and the conscience of nations]]>
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Manar Elsharq Journal for Literature and Language Studies ; مجلد 1 عدد 3 (2023): Manar Elsharq Journal for Literature and Language Studies; 35-41]]>
Manar Elsharq Journal for Literature and Language Studies ; Vol. 1 No. 3 (2023): Manar Elsharq Journal for Literature and Language Studies; 35-41]]>
2959-037X]]>
10.56961/mejlls.v1i3]]>
مجلة الآداب والعلوم الإنسانية Review of Letters and Human Sciences; مجلد 14 عدد 2 (2021); 73-92]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No. 2 (2021); 73-92]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No 2 (2021); 73-92]]>
2588-218X]]>
2335-1667]]>
10.59791/rlhs.v14i2]]>
Manar Elsharq for Studies and Research]]>
University of Batna1]]>
2023-11-06]]>
2021-12-27]]>
الحقوق الفكرية (c) 2023 Ahmed Saeed Ahmed Mocbil]]>
https://creativecommons.org/licenses/by/4.0]]>
http://meijournals.com/ara/index.php/mejlls/article/view/448/487]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1282/1052]]>
application/pdf]]>
eng]]>
ara]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
http://meijournals.com/ara/index.php/mejlls/article/view/448]]>
10.56961/mejlls.v1i3.448]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1282]]>
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var str = 'Constructing Identities and Modeling Leaderships in William Golding’s Lord of the Flies (1954): A Primitive-Civilized Binary Contex';
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var str = 'طه حسين والأسئلة الصعبة';
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أدب]]>
سؤال]]>
جواب]]>
نشر]]>
نقد]]>
literature]]>
question]]>
answer]]>
publishing]]>
critical]]>
To this day, William Golding’s Lord of the Flies has never ceased to surprise critics and researchers alike with the profundity, richness and novelty of its ideas and concepts. A huge body of studies and research papers have addressed a wide array of concepts ranging from primitiveness, civilization, symbolism of characters, power; alienation from culture and civilization, to the subversion and loss of faith in humanity and the vulnerability and decline of civilization in the face of savagery. Some studies have touched upon the concepts of leadership and identity, but slightly and as peripheral ideas. However, no study—to the researcher’s best knowledge—has treated the concepts of identity construction and leadership modeling as its key concern, or individually addressed them from a similar perspective. Hence, the current research paper investigates the concepts of identity constructs and leadership models together, and not only within the context of the primitive-civilized binary opposition, but also within a common and comprehensive frame of reference. Besides, it detects and analyzes various values, beliefs, and attitudes germane to the concepts under study, and the overall mechanism within which they operate as a unified whole to construct identities, model leaderships and become characteristically defining factors. ]]>
السؤال له أهميته القصوى في القراءات الفلسفية الحديثة والمعاصرة ، لأجل ذلك حاولنا من خلال هذه الدراسة أن نتوقف لدى المحاور الكبرى في التجربة الفكرية والأدبية لعميد الأدب الدكتور طه حسين ، حيث اتضح أن العمود الفقري لتجربته سيكون ممثلا أساسا في تلك الأسئلة التي طرحها على التراث ، والأدب ، ومصير الأمة الذي يشكل الأدب والثقافة أحد أوجهه...لأن السؤال مهم جدا في الحياة الأدبية لأجل ذلك فإن الإجابة تظل متاحة أمام الجميع ليسهم فيها . ]]>
Questions have always been o a great importance in the contemporaneous and recent philosophical readings. This motivates us to try through this study to rethink the main axis of the intellectual and literary experience of Taha Hussein considered as the dean of the Arabic literature. It has been confirmed that the essence of his experience will be constituted of those questions he had asked about heritage, literature and the destiny of the nation which some of its aspects are represented by culture and literature. Because question I very important in our life, thus answer may be given by any one in order to contribute in founding a pertinent one.]]>
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Manar Elsharq Journal for Literature and Language Studies ; مجلد 1 عدد 3 (2023): Manar Elsharq Journal for Literature and Language Studies; 18-28]]>
Manar Elsharq Journal for Literature and Language Studies ; Vol. 1 No. 3 (2023): Manar Elsharq Journal for Literature and Language Studies; 18-28]]>
2959-037X]]>
10.56961/mejlls.v1i3]]>
مجلة الآداب والعلوم الإنسانية Review of Letters and Human Sciences; مجلد 14 عدد 2 (2021); 55-72]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No. 2 (2021); 55-72]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No 2 (2021); 55-72]]>
2588-218X]]>
2335-1667]]>
10.59791/rlhs.v14i2]]>
Manar Elsharq for Studies and Research]]>
University of Batna1]]>
2023-11-04]]>
2021-12-27]]>
الحقوق الفكرية (c) 2023 Mohammed al-Hiba]]>
https://creativecommons.org/licenses/by/4.0]]>
http://meijournals.com/ara/index.php/mejlls/article/view/445/485]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1280/1050]]>
application/pdf]]>
eng]]>
ara]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
http://meijournals.com/ara/index.php/mejlls/article/view/445]]>
10.56961/mejlls.v1i3.445]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1280]]>
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var str = 'Women’s Shared Traumas in Khalid Khalid Hosseini’s Selected Novels: A Thousand Splendid Suns, the Mountains Echoed, and The Kite Runner';
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var str = 'A reading of Ahmed Shawqi's opposition to the Burda approach, an introduction to Al-Naseeb and the experience of the graphic visualizer as a model';
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Subalternity, Patriarchy, Gender Discrimination, Hosseini]]>
البردة]]>
نهج البردة]]>
معارضة]]>
البوصيري]]>
أحمد شوقي]]>
purdah]]>
the purdah approach]]>
opposition]]>
Albusiri]]>
Ahmad Shawqi]]>
This study looks at some of the novels by Khalid Hosseini, an American writer of Afghan descent. Khalid Hosseini's novels chiefly, “A Thousand Splendid Suns, And The Mountains Echoed, and The Kite Runner” were a huge success, becoming international best-sellers. What distinguishes these novels is that their main ideas address some of the challenges and difficulties that Afghan women face in a patriarchal society. Women face severe dilemmas and trials as a result of exclusion, inequality, violence, discrimination, and a negative perception of women. The study will also look at Spivak's concept of subalternity and how it has come to be associated with women in societies where there is no true equality among its members. Furthermore, the study demonstrates that in societies experiencing violent and persistent internal conflicts and challenges, women are always the main victims and the biggest losers.]]>
لم يحظ نص شعري أو نثري في تاريخ الأدب العربي على مر عصوره الممتدة من العهد الجاهلي، وحتى العصر الحديث بالاهتمام على جميع المستويات: الرسمي، والشعبي، والأكاديمي، بمثل ما حضيت به بردة الإمام البوصيري، حيث بها تغنى المنشدون، وعارضها الشعراء، وتفنن في شرحها الكتاب، وتبارى الخطاطون في كتابتها بجميع الخطوط، والطلاب والباحثون تسابقوا لدراستها، وكذا لم تسلم من نقد النقاد، ولكنها ما زالت بسحرها تستولي على القلوب . وبتطور الحركة الشعرية في القرن العشرين، أصبح مديح النبي وآل البيت بابا يطرقه الشعراء في مناسبات معينة، وشعر شوقي – بنهج البردة- يدخل في هذا الإطار من ناحية إحياء القديم مع الحرص على الجمالية والإبداعية الشعرية.]]>
Did not stand a poetic text or prose in the history of Arabic literature over days through stretching from the pre-Islamic era, and to the modern era of attention at all levels: the official and popular, and academia, such as the benediction by impermeable Imam Busayri, where her singing minstrels, and opposed poets, and sophisticated explained in the book, and competed calligraphers in writing all the lines, and students and researchers raced to study them, and as well as not spared criticism from critics, but it still charm seizes the hearts. And the evolution of poetic movement in the twentieth century, the praise of the Prophet and al-Bayt became Pope poets knock him on certain occasions, and Shawki hair enters in this context, in terms of reviving the old with emphasis on aesthetic and creative poetry.]]>
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Manar Elsharq Journal for Literature and Language Studies ; مجلد 1 عدد 2 (2023): Manar Elsharq Journal for Literature and Language Studies; 27-31]]>
Manar Elsharq Journal for Literature and Language Studies ; Vol. 1 No. 2 (2023): Manar Elsharq Journal for Literature and Language Studies; 27-31]]>
2959-037X]]>
10.56961/mejlls.v1i2]]>
مجلة الآداب والعلوم الإنسانية Review of Letters and Human Sciences; مجلد 14 عدد 2 (2021); 37-54]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No. 2 (2021); 37-54]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No 2 (2021); 37-54]]>
2588-218X]]>
2335-1667]]>
10.59791/rlhs.v14i2]]>
Manar Elsharq for Studies and Research]]>
University of Batna1]]>
2023-07-26]]>
2021-12-27]]>
الحقوق الفكرية (c) 2023 Qusay Khalaf Hussein, Elhaj Adam Ali]]>
https://creativecommons.org/licenses/by/4.0]]>
http://meijournals.com/ara/index.php/mejlls/article/view/427/430]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1277/1048]]>
application/pdf]]>
eng]]>
ara]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
http://meijournals.com/ara/index.php/mejlls/article/view/427]]>
10.56961/mejlls.v1i2.427]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1277]]>
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var str = 'Racism in August Wilson’s Selected Plays: A Historical Background';
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var str = 'كتاب اللغة العربية في ظل إصلاحات الجيل الثاني "السنة الرابعة ابتدائي أنموذجا"';
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August Wilson, African Americans, Prejudice, Racism, Two Trains Running]]>
منهاج]]>
الجيل الثاني]]>
كتاب]]>
لغة عربية]]>
متعلم]]>
curriculum]]>
second generation]]>
Book]]>
Arabic language]]>
lerner]]>
Racism is a dominant them in the African American literature. Many writers and authors attempted to focus on this theme in their works. August Wilson, as a an American author and citizen, display the effect of this dangerous societal blight on the norms and cultural issues of the American society in general and African American in particular. His plays Fences, Two Trains Running and Piano Lesson treated this theme by offering some solutions for such problem. The paper displays the root of racism in the American society and define racism according to the norms and culture of the American. The paper also finds that Wilson traced the appearances of racism in the American society after the great migration and how the migration of the Black from the south to the North motivated the rise of racism in the American society.]]>
يسعى البحث إلى الحديث عن كتاب اللغة العربية في ظل إصلاحات مناهج الجيل الثاني، وقد كان كتاب اللغة العربية السنة الرابعة من التعليم الابتدائي نموذجا للدراسة، ولتحديد وضبط الورقة البحثية تناولنا أهم العناصر والجوانب التي تربط الكتاب بالمنهاج، وفي نفس الوقت هي بحاجة إلى إعادة النظر، وعليه كانت دراستنا وصفية تقويمية، حاولنا فيها الإجابة على الإشكالية: ما مدى نجاعة الكتاب المدرسي في ظل مناهج الجيل الثاني؟ وهل تميز الكتاب المدرسي في هذا المنهاج بخلوه من النقائص والأخطاء؟ وقد توصلنا إلى تحديد مجموعة من الأخطاء والنقائص منها ما تعلق بالمستوى اللغوي في الجانب الشكلي أو المنهجي للكتاب، أما من حيث المضمون فتضمن الكتاب جملة من القيم الهوياتية التي تساعد على إثراء المعجم اللغوي للمتعلم وتعزيز الانتماء للوطن كما ورد في المنهاج، ولكن هناك تغييب لبعض القيم الهامة في بناء الهوية، وفي حياة المتعلم.]]>
The resarch seeks to talk about the Arabic language textbook in light of the second generation curriculum reforms. The Arabic language book for the fourth year of primary education was a model for study. In order to define and control the resarch paper, we dealt with the most important elements and aspects that relate the book to the curriculum. At the sam time, it needs to be reviewed. Accordingly, our study was descriptive and evaluative. We tried to answer the question How effective is the textbook in the light of the second generation curricula ? does the textbook serve in this curriculum since it is free from deficiencies and errors? And we have identified a set of errors and shortcomings. Some of them are related to the linguistic level in formal or in the formal or in the methodological side of the book. In terms of content, the book in cluded a set of identity values that help the linguistic background of the learner and enhanc belonging to the homeland as stated in the curriculum. However, there is an absence of some important values in the building of identity and in the life of the lerner.]]>
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var str = 'حيتة , زهية';
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var str = 'بن إبراهيم, السعيد';
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Manar Elsharq Journal for Literature and Language Studies ; مجلد 1 عدد 2 (2023): Manar Elsharq Journal for Literature and Language Studies; 14-26]]>
Manar Elsharq Journal for Literature and Language Studies ; Vol. 1 No. 2 (2023): Manar Elsharq Journal for Literature and Language Studies; 14-26]]>
2959-037X]]>
10.56961/mejlls.v1i2]]>
مجلة الآداب والعلوم الإنسانية Review of Letters and Human Sciences; مجلد 14 عدد 2 (2021); 19-36]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No. 2 (2021); 19-36]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No 2 (2021); 19-36]]>
2588-218X]]>
2335-1667]]>
10.59791/rlhs.v14i2]]>
Manar Elsharq for Studies and Research]]>
University of Batna1]]>
2023-07-26]]>
2021-12-27]]>
الحقوق الفكرية (c) 2023 Sami Abed Hasan]]>
https://creativecommons.org/licenses/by/4.0]]>
http://meijournals.com/ara/index.php/mejlls/article/view/426/429]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1273/1045]]>
application/pdf]]>
eng]]>
ara]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
http://meijournals.com/ara/index.php/mejlls/article/view/426]]>
10.56961/mejlls.v1i2.426]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/1273]]>
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var str = 'Redefining a Woman’s Journey from Self-Effacement to Self-Actualization in Manju Kapur’s Novel A Married Woman';
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var str = 'إشكالية تعدّد المصطلح الصّوتي في اللّغة العربيّة';
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stereotype, representation, sexualization, male gaze, exploitation.]]>
المصطلح الصوتي]]>
اللساني]]>
اللغة العربية]]>
فوناتيك]]>
فونيم]]>
تعدد المصطلح]]>
Phonetic term]]>
linguistic]]>
Arabic language]]>
phonetics]]>
phoneme]]>
diversity of terminology]]>
translation]]>
The present paper throws light on woman’s journey from self-effacement to self-actualization in Manju Kapur’s second novel A Married Woman. Manju Kapur is one of the modern woman novelist like Arundhati Roy, Shashi Deshpande, Shobha De, Kamala Markhandaya, Anita Desai and so on open the way for woman’s feelings in the traditional society of this world, where they raised voices against the male-domination in their works. The novels of these authors have mirrored the female in Indian and Western set up entangled in different circumstances.]]>
إنّ قضية تعدّد المصطلح اللساني عموما والصوتي منه على وجه الخصوص في الدراسات اللغوية العربية، أضحت إحدى الإشكاليات التي يعاني منها الباحث العربي، حيث أصبح يتردّد بين هذا وذاك أثناء توظيفه المصطلح. فتارة تجده يستخدم مصطلح(فوناتيك) تعريبا للمصطلح الأجنبي(phonetique)، وتارة أخرى يعبّر عنه بمصطلح "الصوتيات"، أو "علم الأصوات"... وكذلك الأمر نفسه بالنسبة لمصطلح "الفونيم" المعرب للمصطلح الأجنبي(phonème)، الذي تعدّد استعماله لدى الباحثين العرب كل حسب توجهه الفكري والمدرسة التي ينتمي إليها. فمنهم من أبقى مصطلح (phonème) وعرّبه إلى "فونيم"، ومنهم من اصطلح عليه "الصوتيم"، أو "الصوتم"، أو "الصوتمية"، أو "الصوت". وأمام هذا التعدّد والتضارب في استخدام المصطلح الصوتي الذي يعزى إما إلى تعدّد الجهات الواضعة له وعدم الاتفاق على مقاييس وأسس وضعه، وإما إلى الترجمة، وإما إلى إشكالية الفردية في صك المصطلح وابتكاره؛ بات هذا الميدان اللغوي يفتقر إلى تثبيت المصطلح وضبط مفهوماته. وفي ظلّ هذه التعددية للمصطلح الصوتي في اللغة العربية، نحاول في مداخلتنا هذه أن نسبر إشكالية تعدّده، والبحث عن الحلول المناسبة للحدّ من هذه الفوضى وهذا الخلط في توظيف المصطلح الصوتي، وذلك من خلال الإجابة عن الإشكاليات الآتية: ما هي إشكالية تعدّد المصطلح الصوتي في اللغة العربية؟ وهل إشكالية هذا التعدّد في المؤلفات العربية هي نتاج التطور البحثي والتكنولوجي السريع أم هي نابعة من اللغة ذاتها؟ وما هي أهم وأبرز الآليات والاستراتيجيات الفعالة اللازمة لصك المصطلح وإقرار استعماله؟ وما هو دور المجامع اللغوية ومكتب تنسيق التعريب في تقييس ووضع المصطلحات والتأسيس لمفاهيمها؟ وإلى أي مدى تعتبر بنوك التنميط ذات فاعلية في الحدّ من فوضى المصطلح؟]]>
The issue of the diversity in the use of terminology in general and the phonetic use in particular seems to be one of the dilemma the Arab researcher is suffering from. Sometimes, researchers use the term "Phonetics "with the same foreign pronunciation and without any translation, but other times, the word is given an Arabic translation "the science of sounds ". The same is for the term "phoneme "which is used as it is with the foreign pronunciation and sometimes it is given an Arabic translation "sound". The diversity in terminology might be due to the different orientations of schools, the development in technology, and may be the individual creation. This problem results in no grounded, confirmed terminology. In this realm, we would like to try to capture the problem and find possible solutions to it; therefore, limiting and fighting this chaos in the use of terminology. For this, we want to try to answer the following questions: 1. What is the issue of diversity in terminology? 2. Does the richness in terminology reflects development of technology or the language itself? 3. What are the different procedures that should be taken to create a term and pass it to the use? 4. What is the role of the language committee in this issue? 5. To what extent is the bank of terminology able to stop this chaos in language?
]]>
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Manar Elsharq Journal for Literature and Language Studies ; مجلد 1 عدد 2 (2023): Manar Elsharq Journal for Literature and Language Studies; 11-13]]>
Manar Elsharq Journal for Literature and Language Studies ; Vol. 1 No. 2 (2023): Manar Elsharq Journal for Literature and Language Studies; 11-13]]>
2959-037X]]>
10.56961/mejlls.v1i2]]>
مجلة الآداب والعلوم الإنسانية Review of Letters and Human Sciences; مجلد 14 عدد 1 (2021); 197-226]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No. 1 (2021); 197-226]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No 1 (2021); 197-226]]>
2588-218X]]>
2335-1667]]>
10.59791/rlhs.v14i1]]>
Manar Elsharq for Studies and Research]]>
University of Batna1]]>
2023-07-26]]>
2021-07-23]]>
الحقوق الفكرية (c) 2023 Akram Mohammed Ali Alquzahy]]>
https://creativecommons.org/licenses/by/4.0]]>
http://meijournals.com/ara/index.php/mejlls/article/view/425/428]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/942/769]]>
application/pdf]]>
eng]]>
ara]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
http://meijournals.com/ara/index.php/mejlls/article/view/425]]>
10.56961/mejlls.v1i2.425]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/942]]>
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var str = 'Indirectness in Female Conversations: Exploring Differences in Interactions with Females and Males in Mosuli Arabic Conversations';
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var str = 'النّقد الثّقافي: المفهوم والتمثّل ...مقاربة في النقد العربي';
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Indirectness, Gender, cultural influence.]]>
النقد الثقافي]]>
الدراسات الثقافية]]>
النقد العربي]]>
النقد الغربي]]>
الأنساق]]>
التمثيل]]>
Cultural Criticism]]>
Cultural Studies]]>
Arabic Criticism]]>
Western Criticism]]>
Formats]]>
Representation]]>
This study explores the use of indirectness in female conversations, specifically examining the differences in indirectness when interacting with females and males. The hypothesis posits that females employ indirectness differently based on the gender of their interlocutors and that politeness serves as the main motivation for using indirect communication. The research aims to investigate the patterns of indirectness in informal everyday conversations. Data were collected from Mosuli Arabic participants, aged 30-50, with similar social backgrounds but varying educational levels. The study adopts Holtgraves' speech act theory (2002) and Grice's cooperative principle (1975) as the theoretical framework for data analysis. The analysis focuses on 12 selected extracts from smartphone recordings of family, friends, and relative gatherings. Findings reveal that females employ indirectness in distinct ways when interacting with females and males. Politeness, particularly positive politeness, emerges as a primary motivation for using indirect communication in both contexts. In female-female interactions, the nature of the relationship between interlocutors plays a significant role, leading to indirectness being used for intensity, politeness, or even shaming. Cultural factors influence the occurrence of impolite and shaming messages among Arab females. Findings also reveal that in interactions with males, politeness remains prominent, but indirectness is also employed for criticism and defending others. The use of indirectness with males appears to be less influenced by the relationship or age between interlocutors. These findings highlight the complex nature of indirect communication, which is influenced by factors like politeness, dynamics within relationships, and cultural influences.]]>
ينهضُ هذا البحثُ على فَرضيّة قَوامها فاعلية التّداخل في المُمارسة الثّقافية بوصفها نشاطاً عابراً للاتجاهاتِ النقديّة أو الحقول المعرفية، وذلك في سبيل تحليل الظّاهرة الثّقافية وتمظهراتها في النّصوص أو غيرها من النّتاجات الإبداعيّة. ومن أجل تقديم تصوّرٍ منهجيّ ننطلقُ من قراءةٍ في التّكوين المعرفيّ للدّراسة الثّقافية في المرجعيّة الغربيّة، ولاسيّما لدى بعضِ أشهر أعلامها، ومدارسها، غير أن هذا يأتي بموازاة رصد المقاربة النقدية العربية حيث نختبرُ نماذجَ من المُمارسات النقديّة العربيّة لدى عددٍ من النّقاد العرب، وبخاصة من حيث تمثّل المفهوم والمُقاربة النقديّة مع التركيز على التّداخل المفاهيمي والإجرائي القائم على مبدأ عمل النقد الثّقافي أو الدّراسات الثّقافية التي تسعى إلى التّخفف من المُقاربة أو المنظور الواحد في تحليل الظاهرة الثّقافية، وبذلكَ نخلصُ إلى أن عملية نفي الحدود الصّارمة جاء استجابة للتّشكيل الثّقافي الجديد الّذي يتسع لأيّ نتاجٍ إنساني.]]>
This research is based on a hypothesis regarding the effectiveness of overlap in cultural practice as an integration activity in critical trends, and cognitive fields. Thus, aiming to investigate the cultural phenomenon and its manifestations in texts, in addition to other creative products emphasizing the systematic approach. The foundation of this research is based on reading in the cognitive component of the cultural study in Western reference’s, more explicitly amongst some of its most famous schoolers. The applied section includes the testing of examples in Arab critical practices amongst numerous critics, mainly in terms of representing the concept and critical approach through Practical models. Examining conceptual and procedural interference based on the principle of cultural criticism or cultural studies that seek to mitigate the approach or perspective in analysing the cultural phenomenon. Finally concluding the process of negating the strict limits in response to the new cultural formation that accommodates any human product.]]>
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var str = 'أبو شهاب, رامي';
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Manar Elsharq Journal for Literature and Language Studies ; مجلد 1 عدد 2 (2023): Manar Elsharq Journal for Literature and Language Studies; 1-10]]>
Manar Elsharq Journal for Literature and Language Studies ; Vol. 1 No. 2 (2023): Manar Elsharq Journal for Literature and Language Studies; 1-10]]>
2959-037X]]>
10.56961/mejlls.v1i2]]>
مجلة الآداب والعلوم الإنسانية Review of Letters and Human Sciences; مجلد 14 عدد 1 (2021); 159-196]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No. 1 (2021); 159-196]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No 1 (2021); 159-196]]>
2588-218X]]>
2335-1667]]>
10.59791/rlhs.v14i1]]>
Manar Elsharq for Studies and Research]]>
University of Batna1]]>
2023-07-26]]>
2021-07-23]]>
الحقوق الفكرية (c) 2023 Safa Ayham Abdulqader, Kamal Hazim Hussein]]>
https://creativecommons.org/licenses/by/4.0]]>
http://meijournals.com/ara/index.php/mejlls/article/view/424/424]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/938/766]]>
application/pdf]]>
eng]]>
ara]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
info:eu-repo/semantics/article]]>
info:eu-repo/semantics/publishedVersion]]>
مؤلَّف محكَّم]]>
http://meijournals.com/ara/index.php/mejlls/article/view/424]]>
10.56961/mejlls.v1i2.424]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/938]]>
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var str = 'سؤال المعنى وإشكالية التلقي في العرف البياني العربي';
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Variation of register, hypothesis, theatrical overview]]>
إعجاز]]>
تأويل]]>
بيان]]>
نقل]]>
عقل]]>
inimitability of the Quran]]>
Interpetation]]>
Clarification]]>
Transfer]]>
Reason]]>
This study reviews the development of research on register variation (RV) in the course of the only remaining century to the present, underscoring the impact of corpus investigations on its most noteworthy advances and furthermore on its significant shortcomings and ambiguities. Looking for viable and valuable techniques to break down language registers, in the second piece of the paper, the creators sketch an alternate way to deal with RV which has been utilized in the course of the most recent ten years in language instructing at college level and expert correspondence preparing.]]>
إن اللغة في النص لا تكون دائما مرجعيتها الدلالة المعجمية للكلمة أو حتى استخداماتها الشائعة؛ فلغة النص لها مرجعيتها في ذاتها، والكل جزء من معنى النص. فإذا كانت اللغة العادية لغة استهلاكية مهمتها إيصال رسالة أو إبلاغ مضمون، تنقضي زمنيته، بمجرد إبلاغه، فالأمر يختلف في النص الأدبي، والنص الديني خصوصية ضمن هذه الخصوصية الأدبية، فهو زمنية ممتدة في الزمان مما يضمن له ديمومة مستمرة نابعة منه، وعليه فتحليل النص أو قراءته تتركز في معرفة أدبيته، بواسطة العكوف على دراسة عناصره ومكنوناته وعلاقاته اللغوية، فيتجسد حضور اللغة في بنية العلاقات، التي تتخلق بين الدلالات والمدلولات.]]>
The language in the text does not always refer to the lexical significance of the word or even its common uses; the language of the text has a reference to itself, and each element is part of the meaning of the text. If the regular language is a widely used language whose mission is to convey a message or a content, that acquires a past tense, as soon as it is conveyed, this is not the case in the literary text, and the religious text, mainly regarding the literary specificity as they are extended in time, thing that guarantees their continuous permanence stemming from them. Therefore the analysis or the reading of the text is based on knowing its literature, by focusing on studying its elements, components, and linguistic relations. Thus the presence of a language is embodied in the structure of relations created between signifiers and signifieds.]]>
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var str = 'حقاين, جمعة';
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Manar Elsharq Journal for Literature and Language Studies ; مجلد 1 عدد 1 (2023): Manar Elsharq Journal for Literature and Language Studies (MEJLLS) ; 26-34]]>
Manar Elsharq Journal for Literature and Language Studies ; Vol. 1 No. 1 (2023): Manar Elsharq Journal for Literature and Language Studies (MEJLLS) ; 26-34]]>
2959-037X]]>
10.56961/mejlls.v1i1]]>
مجلة الآداب والعلوم الإنسانية Review of Letters and Human Sciences; مجلد 14 عدد 1 (2021); 135-158]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No. 1 (2021); 135-158]]>
مجلة الآداب والعلوم الإنسانية; Vol. 14 No 1 (2021); 135-158]]>
2588-218X]]>
2335-1667]]>
10.59791/rlhs.v14i1]]>
Manar Elsharq for Studies and Research]]>
University of Batna1]]>
2023-02-22]]>
2021-07-23]]>
الحقوق الفكرية (c) 2023 Ahlam Mohsin Maree Al-Tai]]>
https://creativecommons.org/licenses/by/4.0]]>
http://meijournals.com/ara/index.php/mejlls/article/view/339/345]]>
10.56961/mejlls.v1i1.339.g345]]>
https://journals.univ-batna.dz/index.php/rlhs/article/view/926/754]]>
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مؤلَّف محكَّم]]>
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مؤلَّف محكَّم]]>
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https://journals.univ-batna.dz/index.php/rlhs/article/view/926]]>